Chile 1970s: Through the Lenses of Depardon and Burnett

“Septembre au Chili 1971/1973”, Raymond Depardon – David Burnett (2023), © Atelier EXB.

Two major photographers. Two months of September at the opposite. This book recounts the events that have shaped Chilean history. These events are seen through the lenses of two leading figures in photojournalism. In September 1971, Raymond Depardon set off for Santiago. He wanted to capture the effervescence that followed the election of socialist president Salvador Allende in 1970. He continued his journey in the south of the country. Two years later, in September 1973, David Burnett arrived in the Chilean capital shortly after the coup d’état. He photographed the moments of tension and terror that followed. This immersion in the Chile of the 1970s questions what the country has become today, fifty years after the events.

We discovered the reproduction of the iconic photograph by Leopoldo Víctor Vargas. It lies at the heart of these two photographic corpora composing the book. The book features a reproduction of the iconic photograph by Leopoldo Vargas. It captures the last image of Salvador Allende alive, inside La Moneda, the presidential palace, weapon in hand. Several texts by Robert Pledge and Luis Poirot punctuate and contextualize this double visual corpus. They are supplemented by two personal accounts of the time. The first is that of Sonja Martinson Uppman, former secretary at the Swedish embassy in Chile in 1973. The second account is that of Alejandra Matus. She was a little girl at the time of the coup, and her youth was marked by the dictatorship. © Atelier EXB 2023

Source: https://exb.fr/en/home/599-septembre-au-chili-19711973.html © Atelier EXB 2023.

World Press Photo Exhibition 1974 in Amsterdam.

Opening of the World Press Photo Exhibition 1974. The Van Gogh Museum, Amsterdam, Netherlands, March 29th, 1974.

This newsreel features the prize awarding ceremony of the World Press Photo 1973 contest.

The World Press Photo Exhibition of 1974 was held at the Van Gogh Museum in Amsterdam. The event highlighted the most impactful images captured by photographers from around the globe. The exhibition not only celebrated the art of photography but also highlighted the profound stories behind each image.

One of the most poignant moments of the ceremony was when Prince Bernhard of the Netherlands presented the “Golden Eye“, for World Press Photo of the Year 1973, to Dane N. Bath, picture editor of The New York Times and Time Life representant, for “the last photo of President Salvador Allende” of Chile, made by an Anonymous photographer. The winning photograph depicted the last moments of President Salvador Allende of Chile.

Chilean Presidential Photographer (1964-1973) and Chilean Air Force NCO (R) Leopoldo Victor Vargas could not reveal his authorship for safety reasons.

The grand prize winner picture was unanimously chosen from among 3.532 photos of 603 participating photographers, from 38 countries, reflecting the diverse and powerful perspectives that photojournalism brings to the world stage. The winners were announced on March 27, 1974, see The New York Times, Thursday, March 28, 1974, p. 8.

The World Press Photo of the Year is a testament to the courage and dedication of photographers who often risk their lives to document the truth. Their work serves as a visual record of history, capturing moments that can influence public opinion and policy. The 1974 exhibition, therefore, was not just a display of artistic talent but a reminder of the significant role that visual storytelling plays in our understanding of global events and human experiences. The legacy of these photographs continues to inspire and challenge viewers, encouraging a deeper engagement with the world around us.

Credits: Uploaded on May 4th 2009 by Nederlands Instituut voo Beeld en Geluid.